The Devil in the Deep Blue Sea: ARARAT, a novel by Christopher Golden

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The Devil in the Deep Blue Sea: A review of ARARAT, a novel by Christopher Golden

***Some Spoilers***

I have read three novels by Christopher Golden. Ararat is by far was the strongest in terms of story and characters. I didn’t find the supernatural premise credible. Still, in terms of the creep factor, ARARAT  was very effective.
Cover of the novel, Ararat by Christopher Golden

Cover image of Christopher Golden’s novel, Ararat
from google images

Two bloggers, Adam and Meryam, travel the world and document their adventures.

Adam is American and Jewish. Meryam is English and a lapsed Muslim. Adam wants Meryam to marry him, but senses that Meryam is delaying her decision. Meryam insists that they travel to Turkey and climb Mount Ararat. She’s found evidence; Noah’s Ark has been located. Meryam is determined to lay claim to it by getting there first.

The lovebirds are experienced mountain climbers and they intend to call in some favors. Along the way, Meryam butts heads with the sexism of the local mountain climbers, fellow Muslims who disapprove of her uppity ways. They are skeptical of her conclusions about the Ark. Meryam wastes no time swatting down their macho attitudes. Her grudging guides agree to help her and Adam climb the mountain. In the meantime, others are trying to reach the Ark before she and Adam do.

So far, I’m buying the whole thing.

Meryam and Co gets to the site first. Soon after, her competitors arrive as well, including scientists and a priest, bringing their equipment and expertise.

There it is, Noah’s Ark. But there’s something strange about these ruins. Among the cages and ship cubbyholes, the artifacts and petrified wood, they discover a mummy.

Not your garden-variety, wrapped, foot dragging former Egyptian/Incan/Viking warrior, this one’s pretty strange, with its pointed head and menacing wrapping covered with ancient writing of undetermined origin.

It’s a dried-out devil.

Apparently those forty days and forty nights on Noah’s floating menagerie were action-packed. What was left of humanity was forced to outsmart an evil stowaway.

Say what?

At that point, the premise of a devil tormenting Noah and family as they waited for the floodwaters to subside made my long-ago Catechism lessons float to the front of my brain. I didn’t buy the idea of a devil stowaway on Noah’s Ark. Couldn’t the devil have hidden on some other guy’s ark? Someone saw what Noah was up to as the clouds gathered and put two and two together as the animals, two by two, boarded the Ark.

Let the devil hitch a ride with the other guy.
Regardless, in this novel, the devil was on Noah’s Ark. The plot continues with “the devil made me do it.”

Who’s got the devil in him and who’s the next victim and where’s the devil now?

I did like the ending.

It was a surprise and yet tied everything together. The characters had some depth. I wish I knew more about them. Adam’s childhood reflections helped define him. Meryam was unlikeable, but I did develop an understanding and sympathy for her.

Like the other two novels by Christopher Golden that I’ve read, the action sequences of ARARAT were written well and were suspenseful. However, like the other two (SNOWBLIND and DEAD RINGERS), the supernatural underpinnings were so flimsy that they threatened my suspension of disbelief. Reading these was like enjoying a tasty meal that gives you heartburn.

Anyway, I recommend ARARAT. It’s a satisfying read.

If you enjoy novels that deliver a good scare with well-drawn characters, check out books by Christopher Golden. But keep the Tums handy.

If ET Returns Your Call, Pretend You’re not Home: The Cloud by Ray Hammond

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If ET Returns Your Call, Pretend You’re not Home: The Cloud by Ray Hammond

As I read The Cloud by Ray Hammond, what has stayed with me is the premise.

Set in the near future, in The Cloud, a radio signal anomaly becomes the  first alien contact.  What disappointed me was the lackluster prose and that his characters lacked depth. They were flatter than the skinniest of crepes.

***SPOILERS***

When a young researcher, part of a research facility on the Moon, discovers the Cloud as a small anomaly in a collection of radio signals emanating from another galaxy, he recognizes a pattern..

The Cloud cover

The cover of Ray Hammond/s The Cloud (from fantasticfiction.com

Others have already reviewed and dismissed this anomaly. Further study verifies this new interpretation and soon every scientist and his brother, sister and distant cousin are beaming a “Welcome E.T.” to “Iso,” the planet in the distant galaxy, where the signal originates. It will take about fifteen years for our signal to reach our new BFF.

Thirty years later, we find ourselves in trouble. In response to our invitation, there’s a galactic cloud of hurt coming our way. When it gets to our neighborhood, it will destroy all life on Earth. Oh dear. Before it gets to us, it takes an off-road trip to Mars and there goes the colony. There’s no one left.

Along with off-world settlements, we now have designer androids, human like and tailor-made for every “need.” One scientist sends his android girlfriend, “Melissa” on a space mission. She and several other androids leave for Iso’s galactic neighborhood. It will take four hundred and twenty-five years to get there and no pesky human thing like dying of old age will slow them down.

When an anti-android group kills all the new baby androids in a current factory batch, the group leader is forced to help the military with their new get-rid-of-the cloud-monster project. The group leader, “Bill” is a super duper computer scientist and there’s a new super-duper quantum computer named Jerome who wants to meet him. Jerome’s avatar looks like a frat boy.

When Bill discovers that our radio signals are beckoning the cloud, efforts are underway to turn them all off.

Of course, there’s always someone who thinks he’s knows better. In this case, it’s a science fiction writer crackpot with a cult following. So there’s that and then Jerome, who now looks like a Special Ops Marine decides to clone himself and run what’s left of the world after the cloud visit.

Hammond’s novel warns us of the danger of a super-intelligent computer, an AI that might decide it’s better off on its own. No more spoilers. I’ll leave it there.

As I said earlier, I really liked the question posed by this novel. Is it really a good idea to seek contact with another intelligent species? We risk a lot if it doesn’t go well.

I’ve read other writers whose prose and storytelling style is similar to Mr. Hammond’s.

Many are very successful, but after reading one or two for their works, I lost interest. The emphasis of this writing style is keeping the action and the plot moving, something I can’t argue with. But along the way, I have to care. His characters are roughly sketched in terms of physical characteristics, background and intent. There’s nothing underneath, no surprises.

It’s subjective, a matter of opinion.

For example, I just finished reading VanderMeer’s The Southern Trilogy, three related science fiction novels that offer incredibly rich prose. The intricate plot was challenging. All three novels were dreamlike and the characters enigmatic and complex, posing more questions than giving answers. I devoured them. Other readers weren’t as taken with them and reviews of The Southern Trilogy range from one star to five. Count me as a five.

And I’m positive that many readers will greatly enjoy The Cloud’s fast paced story based on a cautionary premise.

I think they’ll find their time on The Cloud well spent.

Robert McCammon’s Swan Song: Apocalypse Then, a review

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Robert McCammon’s Swan Song Apocalypse Then, a review  ***Spoilers***

Swan Song

In Robert McCammon’s Swan Song, it’s World War lll and a thermo-nuclear death for billions.

 

Colliding worlds, epidemics, vampires, aliens, zombies–writers just love ending the world and we just love reading about how it all goes down.Everyone dies, except us–or those characters who are our surrogates. One particularly gruesome ending has fallen out of favor. In Robert McCammon’s Swan Song,We all die when World War III brings its mushroom clouds. The President is in the War Room, agonizing on whether or not to take the Ruskies with us into that bad night of a nuclear winter. He always does.

An 1980’s nuclear nightmare

Because the world is different now from the world of the mid-eighties when McCammon wrote Swan’s Song. What limited appeal this novel possessed has all but evaporated. I’m a boomer and all boomers relate to the fear of global nuclear war; we grew up with it. McCammon renders the nuclear nightmare in vivid detail. He focuses on characters struggling to free themselves from environments that saved their lives but now threaten to become tombs.

One particular bit of irony is a survivalist enclave dug into a mountain.

There’s a gym, a movie theater, apartments, etc. and as always happens–the best laid plans fall flat. A whole mountain collapsing on you–take that survivalists. No control of your fate–all luck of the draw. Unlike Stephen King’s The Stand, another end-of-the world scenario, we’re not invested in McCammon’s characters. I think that’s because he devotes so much of the novel to showing us how devastating an all out nuclear war would be.  Not just to humans, but almost everything dies.

It’s hard to say who the protagonist is– I guess it would be Swan–a young girl who can talk to plants.

It is Swan who will save the world by giving pep talks to trees, grass, crops etc, spreading seeds and re-growing where ever she goes–a kind of “Swannie Appleseed.” Sorry, I couldn’t resist. The antagonist, similar to The Stand’s Randall Flagg is a devil with a small “d.”

The devil keeps whining about how it’s now “his” party and he gets to decide what happens, which is everybody and everything dies.

I kept wondering–if he gets his way, what will he do for entertainment when everyone is gone. Of course he doesn’t win–Swan has his number and puts him in his place. This novel was long–way too long–over 800 pages. McCammon could have carved out at least two hundred pages of that fruit and nut ingredient necessary to every apocalypse mix–the military mad men, the crazies and the religious zealots. The battle scenes were detailed and endless.

In terms of characters–there’s lots of pat psychoanalysis but not much in the way of real people to care about.

Like King’s The Stand, McCammon’s Swan Song indicates he doesn’t care a lot for the military or much in the way of government. I know McCammon can write–I read Boy’s Life years ago and it was such a pleasure. I intend to read some of his other novels and expect I’ll enjoy them. One thing–I’m glad that threat of a nuclear winter is diminishing. On top of everything, there would be nothing to eat–unless of course you’re a zombie.

Since I first posted this review, I have read several books by Robert McCammon.

What an amazing body of work! I particularly liked the premise of The Border, the way he used setting and culture in Stinger and I loved his Matthew Corbett mysteries, set in the New York of the 18th Century. Fascinating! I look forward to the next installment.

Aztec Autumn

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Aztec Autumn: A review

aztec autumn  Like AZTEC, Gary Jenning’s novel published in 1980, Jennings’ sequel, AZTEC AUTUMN. published in 1997, takes place in 16th century Mexico.

The novel AZTEC, as I remember it, was so vivid, the world of the exotic Aztec culture, mystical, sensual and incredibly blood-thirsty, so fascinating that though I remember few details, I remember my reaction–mesmerized. AZTEC AUTUMN begins with the death of Mixtli–the half-blind narrator of AZTEC, who tells his life-story to the Spanish clergy. Carlos, the Spanish king, wants an account of the Aztecs, who, in the view of Spain, are a sinful pagan culture.

Declared a heretic, Mixtli burns at the stake–a public execution witnessed by an eighteen-year-old Aztec, Tenamaxtli.

Visiting the City of Mexico with his uncle and mother, Tenamaxtli watches the old man’s death, which both fascinates and repulses him. When his uncle reveals that the executed man, Mixtli was Tenamaxtli’s father, Tenamaxtli vows revenge. He searches for a way to strike the Spanish invaders–making them pay for the brutal enslavement and exploitation of the Azteca. Tenamaxtli learns Spanish from the Christian monks and during this segment, Jennings describes the intricate caste system based on race, created by the intermarriage and mingling of European, African and Indian people.

After learning the language of the conquistadors, Tenamaxtli sets out on a journey to unite the tribes and drive out the Spanish.

The journey involves a lot of sex and violence and along the way we do learn some history as well as the different customs of the various tribes. While this is interesting, the point of the narrative often loses focus. In addition, Tenamaxtli often proves to be as heartless as the Spanish–not only with the invaders but with his fellow Azteca. The thing I most missed in this sequel was the element of mysticism and sense of the supernatural. Jennings does attempt to bring this in, for example with the Yaki woman who seethes with hate, causes mischief, and talks about herself in third person, claiming no man can resist her. Tenamaxtli has news for her. She’s not the boss of him and she proves to be an empty plot line.

I found AZTEC AUTUMN mildly interesting but not compelling.

It was a disappointment after the marvelous AZTEC. However, if you love historical novels and exotic cultures, you might enjoy spending some time with Tenamaxtli–an Azteca who fought against the tide of history.